Little Miss Sunshine Interviews
By Ethan Aames
July, 19, 2006
In "Little Miss Sunshine", movie veteran Alan Arkin and nine year old Abigail Breslin have unmistakable chemistry as a grandfather and granddaughter in a dysfunctional family, so it was no surprise to see them together for an interview. They star, along with a strong ensemble cast of Steve Carell, Paul Dano, Toni Collete, and Greg Kinnear, in a road trip comedy that that shows how adversity reminds a family how to support its members. Below, they discuss the excitement of running after a moving van, the dynamics of a large, talented cast, and the difficulty of delivering explicit lines in the presence of tender ears.
Q: Who helped whom most in working out your characters?
ALAN: (To Abigail) Don’t lie.
ABIGAIL: I don’t know.
Q: How did you prepare for your scenes together?
ALAN: We did it the way everybody does it all the time. You rehearse a little bit, then you shoot the film, then you have lunch.
Q: Alan, how did you brace Abigail for some of the things you would be saying throughout the movie?
ALAN: She had the script, so it’s not like it was a surprise.
Q: Did you make an apology up front?
ALAN: I think I did.
ABIGAIL'S MOTHER : He was such a gentleman, truly. She never heard anything.
ALAN: I wouldn’t do any of the scenes on the bus unless she had her earphones on.
ABIGAIL: I didn’t hear anything.
ALAN: But she’s seen the movie fifty times.
ABIGAIL: I always wondered what was going on.
Q: Abigail, how much rehearsal did you have to do get your dance scenes down?
ABIGAIL: I don’t know. We practiced through the whole movie. I practiced at home. I had a really great choreographer.
ALAN: Between takes, I’d show Abigail dance steps, but she never used any of them.
Q: ABIGAIL: Were you nervous for that scene at all?
ABIGAIL: I think that you always get nervous when you see a bunch of people sitting down and waiting for you. I was a little nervous, but once I did it a couple of times, it got funner and funner.
Q: What was it like to have to run after the bus throughout the movie? Was it scary?
ABIGAIL: It wasn’t scary.
ALAN: Yeah, it was. The first time, it was scary.
ABIGAIL: The rest of the time, it wasn’t that scary for me. But then, when we went to do reshoots, we saw the movie and that was a little scary because I had to run back in again. It looked fast.
Q: Abigail, tell us about the fat suit you had to wear?
ABIGAIL: I wore padding. I can’t say that I miss it. It was kind of uncomfortable. Actually, a few weeks after we stopped doing the movie, I felt different without it on.
Q: ALAN: What would you say is the difference between doing drama and comedy?
ALAN: Each project presents its own separate problems. I can’t say which is easier.
Q: Alan, what was it like working with two directors?
ALAN: We were all nervous. They hadn’t done a film before. That’s a red flag going up. Two people directing, that’s another red flag. I said, “I’m uncomfortable about it. Are both of you going to be talking?” They said, “Yeah, its fine. We’ve worked together a long time.” But we all felt the script was so good that we had to do the script. We took a chance. It turned out that everything they said about the way they work was true. You could talk to one person and they didn’t feel like they had to check with the other person. They were always available. They’re like one person; they think the same way, they feel the same way. I think they each have different things that they’re better at, but I didn’t even pick that up particularly. Everybody was on the same page for the whole film. You can see it, you can feel it. It was a very joyous experience.
Q: Abigail, what was it like working with the older actors?
ABIGAIL: I had a lot of fun on it. I’ve only done two movies with kids in it, so I didn’t really feel intimidated. A lot of my friends are like, “I would be so shy.” I’m not shy and they’re like, “I know. You yell out the window.”
ALAN: We’d be locked in the bus sometimes for hours and hours and there was no air conditioning and it was about ninety-five degrees out. Nobody ever complained and Abigail didn’t have any special treatment. She was just part of the group. She didn’t have to talk down to us at all.
Q: Abigail, have you considered entering a beauty contest after doing this movie?
ABIGAIL: I don’t know if I would really want to do a beauty pageant because it’s such hard work. I know all the little girls (from the movie) work very hard.
Q: Alan, how did you get involved with this project?
ALAN: It was around for a while. I kept hearing about it and it just happened. They finally got me the script, which I’d been hearing about for about six, eight months. I started reading it and I said, “This is nuts. This is depressing and nuts.” Then on page twenty I started laughing like a lunatic and I started pacing. The minute I start pacing I know its something I’ve gotta be connected with.
Q: What was the dynamic between all of the actors like?
ALAN: It just felt like you were on a team where everybody was on the same page. Everybody was doing the same kind of work. Everybody was doing the same event. You could tell everybody thought it was a funny movie, but you had to address it very seriously, or else it was going to be a disaster. You felt this sense of care and carefulness about every scene. You always felt constantly supported. I felt that everybody’s vision of the script miraculously merged.
Q: How much of this character do you feel is you?
ALAN: My back story was that he played lousy saxophone in a strip club for a long time and then finally got fired because he got too interested in the dope and the broads and he was just sort of a nere-do-well, surviving on gambling and friends for the last fifteen years of his life until his son takes him in.
Q: Given the strength of the script, did you improvise much?
ALAN: A little, tiny bit. The script was very, very strong, but every once in a while I felt comfortable throwing in a line.
Q: What was your favorite part about filming this movie?
ABIGAIL: Either the dance, or running into the van.
ALAN: My favorite line I’ve ever said in a movie was in this one and I couldn’t get through it. I kept laughing. I turn to my grandson and I say, “I have some advice for you. Duane—that’s your name, right?” I think I had to do it about ten times.
Q: We heard grandpa’s advice for Duane. Did you have any advice for Paul (Dano) or Abigail?
ALAN: They didn’t ask me. They didn’t need my advice. Paul is a brilliant actor. I liked him at first, but each time I see the film, I realize how incredibly subtle and right on he is.
Q: Alan, with all the roles that you’ve done, is there anything that you still want to do before, you know, you push off?
ALAN: Before I what?
Q: You push off.
ALAN: Before I die? You’re getting morbid on me? I was feeling pretty good here for a minute. Give me a couple of years. I’m not looking for any great challenges. There was a long time where I desperately wanted to play a great musician. I don’t care any more. I would have loved to have played Beethoven.
Q: Any directors that you want to work with?
ALAN: They’re all dead. I would have mopped the floor for Jean Renoir.
Q: What are you working on next?
ALAN: My garden.
ABIGAIL: I’m not really sure yet.
Abigail’s Mother: Fractions.
ALAN: In other words, you’re out of work.
Q: Who helped whom most in working out your characters?
ALAN: (To Abigail) Don’t lie.
ABIGAIL: I don’t know.
Q: How did you prepare for your scenes together?
ALAN: We did it the way everybody does it all the time. You rehearse a little bit, then you shoot the film, then you have lunch.
Q: Alan, how did you brace Abigail for some of the things you would be saying throughout the movie?
ALAN: She had the script, so it’s not like it was a surprise.
Q: Did you make an apology up front?
ALAN: I think I did.
ABIGAIL'S MOTHER : He was such a gentleman, truly. She never heard anything.
ALAN: I wouldn’t do any of the scenes on the bus unless she had her earphones on.
ABIGAIL: I didn’t hear anything.
ALAN: But she’s seen the movie fifty times.
ABIGAIL: I always wondered what was going on.
Q: Abigail, how much rehearsal did you have to do get your dance scenes down?
ABIGAIL: I don’t know. We practiced through the whole movie. I practiced at home. I had a really great choreographer.
ALAN: Between takes, I’d show Abigail dance steps, but she never used any of them.
Q: ABIGAIL: Were you nervous for that scene at all?
ABIGAIL: I think that you always get nervous when you see a bunch of people sitting down and waiting for you. I was a little nervous, but once I did it a couple of times, it got funner and funner.
Q: What was it like to have to run after the bus throughout the movie? Was it scary?
ABIGAIL: It wasn’t scary.
ALAN: Yeah, it was. The first time, it was scary.
ABIGAIL: The rest of the time, it wasn’t that scary for me. But then, when we went to do reshoots, we saw the movie and that was a little scary because I had to run back in again. It looked fast.
Q: Abigail, tell us about the fat suit you had to wear?
ABIGAIL: I wore padding. I can’t say that I miss it. It was kind of uncomfortable. Actually, a few weeks after we stopped doing the movie, I felt different without it on.
Q: ALAN: What would you say is the difference between doing drama and comedy?
ALAN: Each project presents its own separate problems. I can’t say which is easier.
Q: Alan, what was it like working with two directors?
ALAN: We were all nervous. They hadn’t done a film before. That’s a red flag going up. Two people directing, that’s another red flag. I said, “I’m uncomfortable about it. Are both of you going to be talking?” They said, “Yeah, its fine. We’ve worked together a long time.” But we all felt the script was so good that we had to do the script. We took a chance. It turned out that everything they said about the way they work was true. You could talk to one person and they didn’t feel like they had to check with the other person. They were always available. They’re like one person; they think the same way, they feel the same way. I think they each have different things that they’re better at, but I didn’t even pick that up particularly. Everybody was on the same page for the whole film. You can see it, you can feel it. It was a very joyous experience.
Q: Abigail, what was it like working with the older actors?
ABIGAIL: I had a lot of fun on it. I’ve only done two movies with kids in it, so I didn’t really feel intimidated. A lot of my friends are like, “I would be so shy.” I’m not shy and they’re like, “I know. You yell out the window.”
ALAN: We’d be locked in the bus sometimes for hours and hours and there was no air conditioning and it was about ninety-five degrees out. Nobody ever complained and Abigail didn’t have any special treatment. She was just part of the group. She didn’t have to talk down to us at all.
Q: Abigail, have you considered entering a beauty contest after doing this movie?
ABIGAIL: I don’t know if I would really want to do a beauty pageant because it’s such hard work. I know all the little girls (from the movie) work very hard.
Q: Alan, how did you get involved with this project?
ALAN: It was around for a while. I kept hearing about it and it just happened. They finally got me the script, which I’d been hearing about for about six, eight months. I started reading it and I said, “This is nuts. This is depressing and nuts.” Then on page twenty I started laughing like a lunatic and I started pacing. The minute I start pacing I know its something I’ve gotta be connected with.
Q: What was the dynamic between all of the actors like?
ALAN: It just felt like you were on a team where everybody was on the same page. Everybody was doing the same kind of work. Everybody was doing the same event. You could tell everybody thought it was a funny movie, but you had to address it very seriously, or else it was going to be a disaster. You felt this sense of care and carefulness about every scene. You always felt constantly supported. I felt that everybody’s vision of the script miraculously merged.
Q: How much of this character do you feel is you?
ALAN: My back story was that he played lousy saxophone in a strip club for a long time and then finally got fired because he got too interested in the dope and the broads and he was just sort of a nere-do-well, surviving on gambling and friends for the last fifteen years of his life until his son takes him in.
Q: Given the strength of the script, did you improvise much?
ALAN: A little, tiny bit. The script was very, very strong, but every once in a while I felt comfortable throwing in a line.
Q: What was your favorite part about filming this movie?
ABIGAIL: Either the dance, or running into the van.
ALAN: My favorite line I’ve ever said in a movie was in this one and I couldn’t get through it. I kept laughing. I turn to my grandson and I say, “I have some advice for you. Duane—that’s your name, right?” I think I had to do it about ten times.
Q: We heard grandpa’s advice for Duane. Did you have any advice for Paul (Dano) or Abigail?
ALAN: They didn’t ask me. They didn’t need my advice. Paul is a brilliant actor. I liked him at first, but each time I see the film, I realize how incredibly subtle and right on he is.
Q: Alan, with all the roles that you’ve done, is there anything that you still want to do before, you know, you push off?
ALAN: Before I what?
Q: You push off.
ALAN: Before I die? You’re getting morbid on me? I was feeling pretty good here for a minute. Give me a couple of years. I’m not looking for any great challenges. There was a long time where I desperately wanted to play a great musician. I don’t care any more. I would have loved to have played Beethoven.
Q: Any directors that you want to work with?
ALAN: They’re all dead. I would have mopped the floor for Jean Renoir.
Q: What are you working on next?
ALAN: My garden.
ABIGAIL: I’m not really sure yet.
Abigail’s Mother: Fractions.
ALAN: In other words, you’re out of work.
Japaneese Interview
By ?
late 2006
Abigail, what do you have in common with Olive?
I hope I‘m not as straight forward as Olive. But she’s also very brave! I mean, I couldn’t go on stage and dance before all these people. Also I would not wear what Olive wears. That are so not my type of clothes. I like another sorts of shirts, skirts, dresses. But we both love our families.
But you must be good at dancing?
I hope so...
Olive does obviously everything to fulfil her dreams. What are yours?
I want to be a veterinarian when I grow up – or a fashion designer.
You’ve been thinking about becoming a veterinarian?
Yes, animals are fun.
What about fashion design?
I love shopping and clothes and stuff. I apparently like to make my own things…
You do?
Well, I don’t really make my own clothes… But there’s some game on my computer where I can make my own designer clothes with. That’s pretty cool. There’s this one game with the Converse sneakers where you can make them your own way, like choosing the colour or choosing how the inside looks like. You can then order it and they would send it to you.
Right now you are an actress since seven years. You worked with commercials and movies recently…
I started acting when I was three so I do not remember that very well. I heard once that you don’t even remember anything up to the age of five. Maybe that’s true. I mean, I remember a little bit of it.
Rumour has it that you might be even nominated for the 79th Academy Awards‘ Oscars. What do you think about that?
That would be a really cool thing.
What’s your favourite actor or actress?
Meryl Streep!
You would like to be a big star or more a character actress?
Both!
How was it working all the time with grown-ups?
It wasn’t really so different. They were so nice to me and it was so much fun.
In M. Night Shyamalan‘s „Signs“ from 2002 you played opposite actor-*beep*-director Mel Gibson. That was your first big movie, I believe?
Yes, that was my first movie then. Mel Gibson was really, really nice. I remember we were shooting on Halloween so we went around the trailers and Trick Or Treated there. And he was like: “Ah, is that you?” He had decorations outside his trailer. That was really fun.
Are there any special stories you had on the “Little Miss Sunshine” set, too?
I hit my shin on the car. That hurt so bad.
You really had to jump on the bus all the time?
The stunt coordinator was there and he said that you can’t stop, else you would get hit by the back wheel. So I got a little scared. It was fun though.
Did you ever attend a beauty pageant yourself?
No, I haven’t been to any beauty contest. And I don’t think I would go because it seems so hard. You have to find your talent and you’d have to do it right.
Abigail, you’re going be a famous actress one day. Thank you so much for being here with us!
'That's What's Going On' Interview
By John Handiboe
January 21st 2007
Abigail Breslin and co-star Alan Arkin are celebrating the holidays with the DVD release of their much talked about movie: "Little Miss Sunshine."
It had critics screaming, now the hit of the Sundance Film Festival, Little Miss Sunshine is taking on a new light. The family of losers is now on dvd
"Losers in a conventional terms and what American society thinks of as winners and losers," said actor Alan Arkin.
Most of the talk circles the small, but bright shining star, Abigail Breslin
John: "How long have you been doing movies?"
Abigail: "Since I was three, no since I was five. I have been acting since I was three."
John: "Your first movie was was "Signs" with Mel Gibson, correct?"
Abigail: "Yes."
John: "Lets talk about the big performance at the end of the movie. That had to be fun for you."
Abigail: "That was a lot of fun for me."
John: "Tell me about the set, what was it like dancing with your co-stars?"
Abigail: "It was fun, it was a lot of fun. It was hard all day long, but it was fun."
The DVD features four alternative endings, but grandpa stays dead.
John: "When you read the script did you say I definitely wanted to do this film?"
Alan: "Yes, yes absolutely. I know I have to do a film when I am pacing when I am reading it. I paced from about page 35 on. I couldn't sit down I was so excited about it."
Excited about the film, but Abigail has her sights set on a new project: Christmas.
Abigail: "I am hoping for a puppy."
John: "A puppy? What kind of puppy?"
Abigail: "French Bulldog, Boston Terrier, Corgy or Shihtzu."
John: "That is more than on puppy."
Abigail: "One of those and I will be fine."
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